Radio 3 the essay podcast


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Drummond also introduced the show Mixing It which targeted the music genres that fell between Radios 1 and 3, often seen as a precursor to the programme Late Junction.

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During Drummond's time, Radio 3 also began to experiment with outside broadcasts including an ambitious Berlin Weekend to mark the reunification of Germany in and a much praised weekend of programming that was broadcast from London and Minneapolis-St Paul — creating broadcasting history by being the first time a whole weekend had been transmitted "live from another continent".

I would much rather have had the feeling that they thought it mattered what Radio 3 did. Drummond's successor was Nicholas Kenyon , previously chief music critic of The Observer , who took over in February and was immediately faced with the looming launch date for commercial competitor Classic FM who were, and still remain, Radio 3's biggest rivals.

Kenyon, similar to Singer a decade earlier, believed that Radio 3 had to make changes to its presentation before the new station began broadcasting rather than react later. Kenyon's tenure was to meet with much controversy: in attempts to update the station's presentation, popular announcers Malcolm Ruthven, Peter Barker and Tony Scotland were axed as well as drama being cut by a quarter, resulting in a letter of protest to The Times signed by Harold Pinter , Tom Stoppard and Fay Weldon among others; [8] : two new programmes for drive time, entitled On Air and In Tune , were launched [8] : and a new three-hour programme of popular classics on Sunday mornings fronted by Brian Kay was also launched.

These moves were defended by Kenyon who argued that the changes were not "some ghastly descent into populism" but were instead to create "access points" for new listeners. The criticism, especially once the programme went on air a few weeks later, was so unrelenting that Gambaccini announced the following spring that he would not be renewing his contract with Radio 3. However, Kenyon's controllership was marked by several highly distinguished programming successes.

Fairest Isle was an ambitious project from which marked the th anniversary of the death of Henry Purcell with a year-long celebration of British music and the programme Sounding the Century , which ran for two years from , presented a retrospective of 20th-century music. Both won awards.

Bbc radio 3 the essay podcast

BBC Radio 3 began nighttime transmissions in May with the introduction of Through the Night , [20] consisting of radio recordings from members of the European Broadcasting Union and distributed to some of these other stations under the title Euroclassic Notturno since In , Roger Wright took over as controller of the station. Soon after his appointment some changes were made to showcase a wider variety of music; a new, relaxed, late-night music programme Late Junction featured a wide variety of genres; programmes focusing on jazz and world music were given a higher profile as were programmes presented by Brian Kay , focusing on light music, and Andy Kershaw , whose show was previously dropped by Radio 1.

In these changes, Wright believed that, in the case of the former, he was addressing "this feeling people had that they didn't want to put Radio 3 on unless they were going to listen carefully" [22] and in the latter cases that he was "not dumbing down but smarting up" the programmes. By however, the station faced pressures to increase its audience by making programmes more accessible while loyal listeners began to complain about the tone of these new changes.

Presentation was described as "gruesome in tone and level" [26] and global music output was mocked as "street-smart fusions" and "global pop". In spite of the changes, figures still continued to fall. The mid to late s did however offer new projects undertaken on the station: The Beethoven Experience in June saw the broadcast of his works broadcast non-stop for six days.

The stated aim was "to gauge audiences' appetite for music downloads and their preferred content, and will inform the development of the BBC strategy for audio downloads and on demand content". In , Radio 3 also began to experiment with a visual broadcast as well as the audio transmissions. In October , Radio 3 collaborated with English National Opera in presenting a live video stream of a performance of Carmen , "the first time a UK opera house has offered a complete production online" [36] and in September , Radio 3 launched a filmed series of concerts that was available to watch live and on demand for seven days "in high quality vision".

By the latter years of the s, Radio 3's prospects were improving. The introduction of family orientated concerts to the BBC Proms , which are broadcast live on Radio 3, helped the station to introduce itself to a younger audience. Innovations of this type began in with the introduction of a concert celebrating the music from the television programme Doctor Who as composed by Murray Gold [39] and was later followed by a further Doctor Who prom in , [40] [41] a free family prom in , [42] another free Horrible Histories prom in [43] and a Wallace and Gromit prom in The mix in these proms of classical music to combine with music of a classical nature from the programmes was hoped to introduce a much younger audience to the genres catered for by Radio 3.

As of [update] Radio 3 was having to undergo further changes as a result of recent findings from the BBC Trust. In the station's latest service review, carried out in , the Trust recommended the station become more accessible to new audiences, easier to navigate through the different genres and to review the output of the BBC's orchestras and singers. As a result, the corporation had to reduce its costs. Radio 3 programmes can be listened to live on the Radio 3 Website through the RadioPlayer and BBC iPlayer services; the iPlayer also allows Radio 3 programmes to be heard for 30 days after broadcast.

On its FM frequencies, the station uses less dynamic range compression of the volume of music than rival station Classic FM. The station also uses a BBC-designed pulse code modulation digitisation technique similar to NICAM , which is used for outside broadcasts running through a telephone line. This runs at a sample rate of 14, per second per channel. The Anglican service of sung evening prayer is broadcast every Wednesday at pm during the Afternoon Concerts block on Radio 3 live from cathedrals, university college chapels and churches throughout the UK.

Choral Evensong is the BBC's longest-running outside broadcast programme, the first edition having been relayed from Westminster Abbey on 7 October When Choral Evensong was moved from Radio 4 to Radio 3 with effect from 8 April and reduced to just one broadcast per month, the BBC received 2, letters of complaint, and weekly transmissions were resumed on 1 July. In the live broadcast was switched to Sundays, which again caused protests. Choral Evensong forms part of Radio 3's remit on religious programming though non-religious listeners have campaigned for its retention.

Each week, in five daily programmes, which air at midday, the work of a particular composer is studied in detail and illustrated with musical excerpts. Bach , Beethoven , Haydn , Mozart and Handel have all featured once most years, [60] a different aspect of their work being chosen for study each time. However, the programme also covers more 'difficult' or less-widely known composers, with weeks devoted to Rubbra , Medtner , Havergal Brian , Kapralova , and the Minimalists among others. The programme is written and presented by Donald Macleod.

On 2 August , in honour of the station's 70th year, listeners were asked to nominate a composer who had never before been featured for a special broadcast at Christmas. These two programs showcase live or recorded performances from venues across the country.

The live Monday edition of Lunchtime is repeated on Sunday at the same time. The programme title is a return of Record Review which was broadcast on Network Three occasionally from , then weekly from presented by John Lade and then from , Paul Vaughan , until From it became CD Review , [63] with the format remaining largely the same. Then, from 2 January , its title reverted to Record Review to reflect the diversity of media proliferating CDs, downloads, streaming, and so forth.

It includes the feature Building a Library which surveys and recommends available recordings of specific works. In Building a Library was attacked as 'elitist' for including such composers as Karl Amadeus Hartmann and Elliott Carter and lesser-known works of great composers, at the expense of well-known mainstream works. Jazz Record Requests was the first weekly jazz programme on the Third Programme. First presented by the jazz musician Humphrey Lyttelton , the minute programme was launched in December and is still running.

Now an hour long, it is still broadcast on Saturday, usually in the late afternoon. Alyn Shipton became the presenter in May Pied Piper was an iconic children's programme, presented by early music specialist, David Munrow , it had the sub-title Tales and Music for Younger Listeners [8] : and ran from August until Lively and varied, it was aimed at the 6—12 age group, though much older children and adults also listened. The last broadcast with the Live in Concert name was in 15 July Episodes cover the music itself as well as performers and occasional discussions of musical style.

Regular presenters include Lucie Skeaping and Hannah French.

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Catherine Fletcher on BBC Radio 3

The show broadcasts for 6 hours, beginning weekdays at and weekends at 1 in the morning. The show is a national version of Euroclassic Notturno. These groups are:.


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In addition to the BBC's own orchestras it also has broadcast commitments to the BBC Big Band , which is externally managed, and also broadcasts some works of the Ulster Orchestra , which it part funds. Disclaimer: ted hughes. Listen notes, which is a boffin media production for the essay podcast and always told live. Related post for bbc radio 3 podcasts on bbc radio 3.

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